The Jazz Organ Fellowship is a nonprofit 501(c)(3) membership organization dedicated to the preservation of Jazz Organ music through live and recorded presentations, educational seminars and community outreach programs
Remember that your donations are tax deductible and go directly
into the operational costs and educational needs of students who wish to study
Jazz Organ … as well as actually hear the legends of Jazz Organ first hand.
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This year's Jazz Organ Fellowship Tribute will honor Chester Thompson . Chester spent ten glorious years with Tower of Power helping them create a distinct sound and then almost 26 years with the Carlos Santana Band where he was a major part of that band's personality. Now CT fronts his own quartet behind a brand new release called 'Mixology'.
JOF will pay tribute to CT on Friday, June 28th in the Dinkelspeil Auditorium on the campus of Stanford University. This Fifth Annual Jazz Organ Fellowship Tribute will be hosted by Stanford Jazz and will be an important part of their Spring Jazz Workshop Series.
Head-lining this show will be the Amazing Tony Monaco and opening the show - all the way from Osaka, Japan - will be the sensational
Midori Ono. There will be many surprises on this, not-to-be-missed, evening. Stay tuned!
JOF will pay tribute to CT on Friday, June 28th in the Dinkelspeil Auditorium on the campus of Stanford University. This Fifth Annual Jazz Organ Fellowship Tribute will be hosted by Stanford Jazz and will be an important part of their Spring Jazz Workshop Series.
Head-lining this show will be the Amazing Tony Monaco and opening the show - all the way from Osaka, Japan - will be the sensational
Midori Ono. There will be many surprises on this, not-to-be-missed, evening. Stay tuned!
The Jazz Organ Fellowship is proud to partner with the Stanford Jazz Festival this year to bring you another exciting jazz organ tribute
Jazz Organ music is an American phenomenon, pure and simple. An identifiable 'Jazz Organ sound' was standardized - thanks to Jimmy Smith - on an American-made, electro-mechanical device called the Hammond organ with the help of a sound modification device (also American-made) called the Leslie Tone cabinet.
Unlike most other instrumental music embraced by our society, Jazz Organ music has received much less attention through the years. This music has been met with more apathy than support from writers, record producers, music promoters, club owners and educators. Educational institutions have provided minimal opportunities for young jazz organists to learn and develop those skills necessary to excel. The interest in this music, however, remains strong in spite of the slow developing curriculum.
With public awareness of Jazz Organ seemingly on the increase, the need to address this form of music through outreach programs, educational coursework and community events becomes more important.
Jazz Organ music is an American phenomenon, pure and simple. An identifiable 'Jazz Organ sound' was standardized - thanks to Jimmy Smith - on an American-made, electro-mechanical device called the Hammond organ with the help of a sound modification device (also American-made) called the Leslie Tone cabinet.
Unlike most other instrumental music embraced by our society, Jazz Organ music has received much less attention through the years. This music has been met with more apathy than support from writers, record producers, music promoters, club owners and educators. Educational institutions have provided minimal opportunities for young jazz organists to learn and develop those skills necessary to excel. The interest in this music, however, remains strong in spite of the slow developing curriculum.
With public awareness of Jazz Organ seemingly on the increase, the need to address this form of music through outreach programs, educational coursework and community events becomes more important.
While the sound of Jazz Organ remains attractive to young musicians, the actual instrumentation has shifted from the old tone-wheel technology of the Hammond organ to the sampled, digital applications of today. Jazz Organ for this new millennium has been significantly reinforced by the release of numerous digital 'clones' of the original Hammond organ and its unique sound. The fact remains, however, that this original sound is viable and worthy of preservation. All this serves to strengthen the notion that Jazz Organ will not be ignored but rather will thrive for future generations of musicians - therefore the Jazz Organ Fellowship was created in 2004, and has been based in Oakland, CA, as a central location for fans of this art form.

Organaist Tony Monaco giving instruction
The Jazz Organ Fellowship aka JOF provides workshops within existing jazz camps and actually brings the organ combo into the music classes of junior high schools and high schools.
Working with festival directors and band leaders, JOF attempts to fill in the gap that has existed for so many years in music education that is relative to Jazz Organ studies.
The history of this music is broken down in curricular fashion so as to explain the lineage of Jazz Organ music; its main proponents; and the significance of this genre within the wider musical spectrum.
World class Jazz Organists are brought into the fold to contribute their experiential knowledge and demonstrate varied musical styles.
JOF strives to elevate the position of Jazz Organ in all aspects of the music world.
Board of Directors
Executive Director - Pete Fallico
Acting President - Pete Fallico Vice President - Dr. Bradley Stone Second Vice President - Dr. Raymond Jones Secretary - Dr. Geoff Roach Treasurer - Bob Schleicher Board Member - Greg Bridges Past President - Linda Goshay Jones |
Advisory BoardLinda Goshay Jones Bob Porter Bill Milkowski Afrikahn Day'vs Dr. Lonnie Smith Joey DeFrancesco |







